Saturday, October 23, 2010
Sounding Dizzy
he was known to be a bit of a clown in his heyday, but John Birks Gillespie has left a serious musical legacy. Bebop. Afro-Cuban. The United Nations Orchestra are but a few of the gems. There was his uptruned trumpet bell, now copied by adherents the world over. And who could forget those bubblegum cheeks.
But beneath the jocularity was a master musician and a man with serious concerns for all humanity. Though his 1964 US presidential bid started out as a stunt, Dizzy soon took it seriously. His agenda did have some wacky items, but he was a champion for free health care (and free education) long before anybody ever heard of Obama. see this link for more http://indianapublicmedia.org/nightlights/before-colbert-there-was-dizzy-gillespies-1964-run-for-the-presidency/
Our good friend, the Petchary http://petchary.wordpress.com/2010/10/22/dizzy/ did pretty all the legwork but kindly allowed us to share her post in honour of the late trumpet legend's birthday
At the Monterey Jazz Festival there is a venue called “Dizzy’s Den.” It’s named after the one and only Dizzy Gillespie, who would have been 93 years old today (October 21). Dizzy died in 1993 at age 75. But today Google did something delightful, a great doodle with Dizzy’s famous inflatable cheeks, puffing out as he played his trumpet with verve and gusto.
John Birks Gillespie was born in 1917 in Cheraw, North Carolina. His father was a band leader and music was all around. He learnt to play piano at age four, and trombone and trumpet by age twelve. Music was fused into his being from a very early age. He made his first recording, “King Porter Stomp,” with the Ted Hill Band in the late 1930s. He went on to join Cab Calloway‘s band the “Cab Jivers”, but their relationship was sour, ending in a nasty little fight in which a knife “came into play” over a spitball thrown on stage. Calloway was a bit of a bully, it appears.
But that’s just a naughty piece of gossip. Let’s just state it plainly: Dizzy was one of the “kings of bebop.” No doubt about that.
One other nice fact: He met his wife Lorraine in 1940 and they were together until his death. Their only daugher, Jeanie Bryson, is a jazz singer and is currently working on a “Dizzy Gillespie Songbook” in honor of her Dad.
“Salt Peanuts.” ”A Night in Tunisia.” Jamming with Charlie Parker and John Coltrane in smoky jazz clubs. There is too much to write about his career. He became involved in Afro-Cuban jazz, a genre which is really still flourishing, and became close friends with the Latin trumpeter Mario Bauza. He discoveredArturo Sandoval while traveling in Cuba.
In 1989 Dizzy gave 300 performances in 27 countries and 100 cities in the U.S. Amazing energy. Other little facts about the great Dizzy:
Did you know he became a follower of the Baha’i faith in 1970? No more knife fights or drinking after that.
He was the inventor of the “bent” trumpet – which apparently came from someone sitting on it. But he liked the sound.
Above all, there was his serious musicianship mixed with a kind of brimming-over humor. Just beneath the surface.
Saturday, October 16, 2010
Barbados, Jamaica in the new Year
The annual renewals of the Barbados Jazz and the Jamaica Jazz and Blues festival take palce as customary in January.
watch for our previews starting soon.
watch for our previews starting soon.
Friday, October 15, 2010
Herbie to play for Peace in Oslo
If you’re wondering where Herbie Hancock and his Imagine Project band will be on December 11, well, they’ll all be in Oslo, Norway, performing a concert during the Nobel Peace Prize Ceremony. Academy..
Wednesday, October 13, 2010
Friday, October 8, 2010
Taking Cities for Jazz....with your support
http://www.jazzinthecity.org/about.html
Thanks to Jim Eigo for drawing my attention to this great initiative. Will be pursuing similar project here soon.
Jazz in the City is a group for local jazz aficionados, which introduces you to the finest musicians performing at some of the most elegant venues in cities around the globe.
The group’s organizers manage, book and produce both established and up-and-coming recording artists, so we have our finger on the pulse of the jazz scene!
We started this group because we want to share our passion for jazz with other fans. However, the group is not exclusively for jazz connoisseurs. Anyone who has an interest or would like to just sit, listen, and maybe sway to some great jazz tunes, can join us as well.
We will endeavor to offer our members live jazz events without a cover. However, in cases when we can’t, we will try to broker with clubs and venues special reduced admission fees for our members.
Thanks to Jim Eigo for drawing my attention to this great initiative. Will be pursuing similar project here soon.
Jazz in the City is a group for local jazz aficionados, which introduces you to the finest musicians performing at some of the most elegant venues in cities around the globe.
The group’s organizers manage, book and produce both established and up-and-coming recording artists, so we have our finger on the pulse of the jazz scene!
We started this group because we want to share our passion for jazz with other fans. However, the group is not exclusively for jazz connoisseurs. Anyone who has an interest or would like to just sit, listen, and maybe sway to some great jazz tunes, can join us as well.
We will endeavor to offer our members live jazz events without a cover. However, in cases when we can’t, we will try to broker with clubs and venues special reduced admission fees for our members.
Tuesday, September 28, 2010
Mutliple Reviews Part II: the ladies
Cynthia Felton - Come Sunday: The Music of Duke Ellington
Vocalist Cynthia Felton's affinity for the Ellington catalog and her overall joie de vivre shine through clearly on this endearing collection. Indeed, one fancies that her enthusiasm in no snall way influenced her stellar line-up of contributors: Jeff 'Tain' Watts Yoron Israel and Terri Lynne Carrington on drums; Robrt Hurst, Ryan williams and Tony Dunas on bass; Wallace Roney (who offers a truly exquisite solo on "I Got It Bad") and Nolan Shaheed on turmpet, and many more.
Felton, who's alos responsible for production and distribution (under her Felton Entertainment label)of the record, pulls it all together with aplomb, even down to the packaging and the vintage-style groove-marked CD. She more than matched style with substance. From her drums-only opening on "It Don't mean A thing" through the anthemic title track on tothe near whisper of Prelude To A Kiss, Felton's diamond-bright, trumpet-like tone cuts through the arrangments without sacrificing balance or depth.
Guaranteed to uplift the mood at any gathering, or even if enjoyed alone.
Joyce Cobb with The Michael Jefry Stevens Trio
How does one fully encapsulate the manifold delights of Joyce Cobb's voice. Slinky, texturally rich, versatile. Such descriptions only hint at the pleasures to be had from this reading of standards.
Cobb is perfectly in sync with accompanists Michael Jefry Stevens on piano, Johnathan Wires on bass and drummer Bernardo Ward, especially on ballads like If You Know Love and the Brazilian classic "If You Never Come To Me". Elsewhere her sprightly harmonica line serves as a clarion call for "Moanin'" and her phrasing drips sweet acid on the kiss-off "Its Over Now" (Well You Needn't)" hat appropriately closes the album.
her best showcase is the melancholy Ellington-Strayhorn "Daydream" where the sad longing of the song is fully realized, supported by the tender rise and cascade of Stevens' piano notes and the sad shuffle of the rhythm section.
Barb Jungr - Every Grain of Sand: Songs of Bob Dylan
Having interpreted the works of Nina Simone, Elvis, and -on her current disc The Men I Love, male singer-songwriters from the Monkees to David Byrne, we took on a bit of flashback to hear Barb Jungr sing the songs of Bob Dylan. From "Forever Young" to "Born In Time" and "I'll Be Your Baby Tonight" Jungr imbues the selections with a combination of breeziness and gravitas that really only she can muster. She's ably supported by musical partner Simon Wallace and a multi-part band that includes string section and accordion (no mouth harp, though)
Vocalist Cynthia Felton's affinity for the Ellington catalog and her overall joie de vivre shine through clearly on this endearing collection. Indeed, one fancies that her enthusiasm in no snall way influenced her stellar line-up of contributors: Jeff 'Tain' Watts Yoron Israel and Terri Lynne Carrington on drums; Robrt Hurst, Ryan williams and Tony Dunas on bass; Wallace Roney (who offers a truly exquisite solo on "I Got It Bad") and Nolan Shaheed on turmpet, and many more.
Felton, who's alos responsible for production and distribution (under her Felton Entertainment label)of the record, pulls it all together with aplomb, even down to the packaging and the vintage-style groove-marked CD. She more than matched style with substance. From her drums-only opening on "It Don't mean A thing" through the anthemic title track on tothe near whisper of Prelude To A Kiss, Felton's diamond-bright, trumpet-like tone cuts through the arrangments without sacrificing balance or depth.
Guaranteed to uplift the mood at any gathering, or even if enjoyed alone.
Joyce Cobb with The Michael Jefry Stevens Trio
How does one fully encapsulate the manifold delights of Joyce Cobb's voice. Slinky, texturally rich, versatile. Such descriptions only hint at the pleasures to be had from this reading of standards.
Cobb is perfectly in sync with accompanists Michael Jefry Stevens on piano, Johnathan Wires on bass and drummer Bernardo Ward, especially on ballads like If You Know Love and the Brazilian classic "If You Never Come To Me". Elsewhere her sprightly harmonica line serves as a clarion call for "Moanin'" and her phrasing drips sweet acid on the kiss-off "Its Over Now" (Well You Needn't)" hat appropriately closes the album.
her best showcase is the melancholy Ellington-Strayhorn "Daydream" where the sad longing of the song is fully realized, supported by the tender rise and cascade of Stevens' piano notes and the sad shuffle of the rhythm section.
Barb Jungr - Every Grain of Sand: Songs of Bob Dylan
Having interpreted the works of Nina Simone, Elvis, and -on her current disc The Men I Love, male singer-songwriters from the Monkees to David Byrne, we took on a bit of flashback to hear Barb Jungr sing the songs of Bob Dylan. From "Forever Young" to "Born In Time" and "I'll Be Your Baby Tonight" Jungr imbues the selections with a combination of breeziness and gravitas that really only she can muster. She's ably supported by musical partner Simon Wallace and a multi-part band that includes string section and accordion (no mouth harp, though)
Sunday, September 26, 2010
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