Friday, August 13, 2010

Serving Up "The Butler"


he's had some up and down times, for sure, but one thing has never waned: Harold Butler's master of the piano; his staggering range of material and sensitivity and soulful connection to the music.
Starting next week, extensive coverage on the life and times of Jamaica's piano man.


visit our other blogs:
www.turbodonkeycart.blogspot.com;
www.mikethemeovies.blogspot.com
www.eurojamcar.blogspot.com
www.liveplug-emx.blogspot.com

Monday, August 9, 2010

Barb Jungr CD review: The Men I Love



While in no way denigrating the preceding tunes, to get a full feel for the transformative powerof Barb Jungr's musical and vocal vision, go straight to the final track on this CD, Geln Campbell's "Wichita Lineman". To hear her alternately draw in tenderly and unfurl the tune - ably aided by pianist Simon Wallace - is a wondrous experience.

Indeed, its one of many on what is a well crafted, but soulful, intimate and contemporary sounding set that should resonate equally with jazz vocal purists (although the material in the truest sense is not jazz, no matter), coffeehouse hipsters or nightclub veterans.

Whether individual tuiens, like the Monkees' "I'm A Believer" or medleys like "This Old Heart of Mine-Love Hurts" the Brit chanson gets inside the song, a cliche, we admit, but if you follow my directive at the beginning of this review it should become obvious. Her empahty is clear on the Holland-DOzier-Holland classic. When Jungr coos the "I love you-ou-ou" line first made famous by the Isley Bros. all the palintive yet defiant commitment of the origianl is magically transposed.

Separate from the vocal hijinks, the album also succeeds musically. While most of the material is taken at an easygoing ballad pace, those expecting lullabies will be wowed by subtle shifts in tempo and the varied sonic palette that Jungr and Wallace have put together. One of this writer's favourite pop songs is Briab Eno and David Byrne's "Once In A Lifetime" a song I thought it would hard, if not impossible to successfully update. But here, Jungr's lyrics are gently dunked amid a swirl of sometimes Oriental, sometimes Southwestern sonic patches. Also she makes good use of the song's refrains and repeated phrases ("Same as it ever was" is one example)to transport the listener into an experience with even more gravitas than the original suggested.

As another reviewer has stated "Jungr needs no added ingredients to improve her communication of the intense feelings contained in these great songs." Given this lush attention, her "men" should be feeling pretty stoked - same goes for music lovers everywhere

Track listing:Once in a Lifetime;
I'm a Believer;
Breaking Down the Walls of Heartache;
Night Comes On;
Can't Get Used to Losing You / Red Red Wine;
The River;
I Saw the Light;
This Old Heart of Mine / Love Hurts;
Everything I Own;
You Ain't Going Nowhere;
My Little Town;
Wichita Lineman

www.barbjungr.co.uk


visit our other blogs:
www.turbodonkeycart.blogspot.com
www.eurojamcar.blogspot.com
www.mikethemovies.blogspot.com

Monday, July 12, 2010

Roberto Magris CD review - J-Mood 1.0


CD - Mating Call
Roberto Magris Quintet
J-Mood Records


Its becoming a very pleasurable habit reviewing the works of pianist Roberto Magris and his various iterations. He infuses all his records with a supple beauty that gently but inexorably hooks the audience on the first listen and wears extremely well with repeated spins. Whether with his excellent Europlane groups(orchestra or quintet), or in the "pick-up" quartet he established on his Kansas City Outbound album, his zest for life and devotion to the idiom uniformly shine through.

This time around its a quintet format with a dual sax attack - Michael O' Neill on tenor and paul Carr on soprano, with drummer Idris Muhammad and the well-travelled California-born bassist Elisa Pruett.

The proceedings start off with the bouncy Optional Man, one of only three Magris originals that pepper the relatively short program. The first real hurrah though, comes with Lament, a JJ Johnson dirge that is strikingly re-imagined as a mid-tempo Latin-tinged number.

Magirs shows, similar inventivenss, although in a different key, on Leonard Bernstein's Lonely Town, which closes the CD. Performed solo, the piece begins with sprighly hops over the keyboards and whirls into a blistering crescendo.

This spirit of true enjoyment amid a high level of technical accomplishment is shared among all the players. O'Neil's deceptively cool tones are perfectly counterpointed by Carr, and the rhythm section is rock solid.

This first outing from manager Paul Collins' J-Mood imprint bodes well for the label and creates heightened anticipation for not only the next Magris disc, but the future library as a whole.

Tracks: Optional Man;

Hill of Illusion;

Lament;

Theme For Ernie;

Mating Call;

Europlane Blues;

Lonely Town.

Players: Roberto Magris: piano, electric piano; Paul Carr: soprano saxophone, tenor saxophone; Michael O'Neill: tenor saxophone; Elisa Pruett: acoustic bass; Idris Muhammad: drums.



Tuesday, June 29, 2010

Jazz Times compendium

http://jazztimes.com/contributors/257-michael-edwards

Magris & More: Reviews on Friday

Will have reviews on "Mating Call" and other CDs this Friday. will also soon include my writings for Jazz Times and allaboutjazz.com on this blog. Stay tuned, stay jazzy.

Friday, June 25, 2010

Barb Does Bob


While I work on Roberto Magris review (and my project on Jmaaican piano legend harold Butler) watch out also for my review and profile of vocalist extraordinaire Barb Jungr (I don't feature singers often, so you know she's special)
watch this space

Thursday, June 10, 2010

jamaica jazz Kicks off tomorrow; Magris returns


The Jamaica International Jazz festival, brainchild and passion of the late Sonny Bradshaw, commences its 20th year (and first without the founder) on Saturday a the French embassy on Hillcrest.

Also watch out for my review of Italian piano maestro Roberto Magris' new CD (on a new label), titled Mating Call