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Sunday, November 16, 2014

Still Strummin' - and Hummin - at 100: celebrating Coleridge Goode

Jamaica-UK jazzer Gary Crosby  is presenting a special interactive concert on Friday 21 November at the Purcell Room as part of this year’s EFG London Jazz Festival – Coleridge Goode: A Celebration.

It’s a tribute to the legendary Jamaican double bassist, Coleridge Goode, who celebrates his 100th birthday at the end of this month (29th). The occasion will be marked by a concert combining live music, conversations, literary readings, photography and film, 
 
Gary Crosby(left) with Coleridge Goode
 Joining Crosby on stage will be Byron Wallen(trumpet), Aleksandra Topczewska (alto sax), Omar Puente (violin), Alex Ho (piano), Shirley Tetteh (guitar), and Moses Boyd (drums), and a panel of guest speakers including the beautiful vocalist Elaine Delmar, broadcaster and jazz historian Alyn Shipton, saxophonist Denys Baptiste, biographer Roger Cotterrell, and Goode family friend Colleen McIntyre. The speakers will offer insight into Coleridge’s career and, sharing personal memories, shine a light on a life in jazz that began a few months after the outbreak of the First World War.Chairing the panel, and weaving it all together will be journalist and broadcaster Kevin Le Gendre.


Goode is one of the most important musicians ever in the history of jazz and jazz bass. He worked with so many musical luminaries from Stéphane Grappelli and Django Reinhardt, to George Shearing and Joe HarriottShake Keane to Leslie ‘Jiver’ Hutchinsonto John Mayer. He even played for the late British Labour Prime Minister, Harold Wilson at 10 Downing Street. He also featured in the Ray Ellington Quartet famed as the house band on BBC Radio’s irreverent comedy programme, The Goon Show that featured Spike Milligan, Peter Sellers and Harry Secombe.

In addition to his contribution as a player, Coleridge is credited as the person who came up with the idea of the double bass pickup to amplify the sound of the instrument, marking a major development in the evolution of bass performance.


Crosby first met Coleridge in Earl’s Court around 1980 when he was working in a West African restaurant across the road from a club where he used to play. 

He describes the bass man as incredibly generous towards us younger musicians, always happy to share information on the history of jazz in Britain. He  was especially excited about his work with the great Joe Harriott – "Coleridge is the last surviving member of Harriott’s innovative Quintet  – and my conversations with him inspired me to conceive a concert in tribute to the saxophonist as part of the London Jazz Festival some years ago."
"Do come along to Coleridge Goode: A Celebration on Friday 21 November and join me in celebrating the 100th birthday of the consummate Lord Of The Lower Frequencies. Sadly, he is now too frail to attend in person, but we hope to record the concert for Coleridge so he can enjoy listening back to it when we celebrate with him on his birthday. And guess what? Though age may have forced him to lay down his bass, you can still hear him scatting along to music whenever it gets to the bass solo!"


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