Showing posts with label Jamaica. Show all posts
Showing posts with label Jamaica. Show all posts
Sunday, November 16, 2014
Still Strummin' - and Hummin - at 100: celebrating Coleridge Goode
Jamaica-UK jazzer Gary Crosby is presenting a special interactive concert on Friday
21 November at
the Purcell Room as part of this year’s EFG London Jazz Festival – Coleridge Goode: A
Celebration.
It’s a tribute to the legendary Jamaican double bassist, Coleridge Goode, who celebrates his 100th
birthday at
the end of this month (29th). The occasion will be marked by a
concert combining live music, conversations, literary
readings, photography and film,
Joining Crosby on stage
will be Byron Wallen(trumpet), Aleksandra Topczewska (alto sax), Omar Puente (violin), Alex Ho (piano), Shirley Tetteh (guitar),
and Moses Boyd (drums), and a panel of guest speakers
including the beautiful vocalist Elaine Delmar,
broadcaster and jazz historian Alyn Shipton,
saxophonist Denys Baptiste, biographer Roger Cotterrell, and Goode family
friend Colleen McIntyre. The speakers will offer insight into Coleridge’s career and, sharing
personal memories, shine a light on a life in jazz that began a few
months after the outbreak of the First World War.Chairing the panel, and
weaving it all together will be journalist and broadcaster Kevin Le Gendre.
Goode is one of the most important musicians ever in the
history of jazz and jazz bass. He worked with so many musical luminaries
from Stéphane
Grappelli and Django Reinhardt,
to George Shearing and Joe Harriott, Shake Keane to Leslie ‘Jiver’ Hutchinsonto John Mayer.
He even played for the late British Labour Prime Minister, Harold Wilson at 10 Downing Street. He also
featured in the Ray Ellington Quartet famed as the house band on
BBC Radio’s irreverent comedy programme, The Goon Show that featured Spike Milligan, Peter
Sellers and Harry Secombe.
In
addition to his contribution as a player, Coleridge is credited as the
person who came up with the idea of the double bass pickup to amplify the sound
of the instrument, marking a major development in the evolution of bass
performance.
Crosby first met Coleridge in Earl’s Court around 1980 when he was working in a West
African restaurant across the road from a club where he used to play.
He describes the bass man as incredibly generous towards us younger musicians, always happy to share
information on the history of jazz in Britain. He was especially excited about
his work with the great Joe Harriott – "Coleridge is the last surviving member
of Harriott’s innovative Quintet – and my conversations with him
inspired me to conceive a concert in tribute to the saxophonist as part of
the London Jazz Festival some years ago."
"Do come along to Coleridge Goode: A
Celebration on Friday
21 November and
join me in celebrating the 100th birthday of the consummate Lord Of The Lower Frequencies. Sadly,
he is now too frail to attend in person, but we hope to record the
concert for Coleridge so he can enjoy listening back to it when we celebrate
with him on his birthday. And guess what? Though age may
have forced him to lay down his bass, you can still hear
him scatting along to music whenever it gets to the bass solo!"
Tuesday, April 22, 2014
Jazz DAY (2014) in J-A
Its described as THE global Jazz Jam: Since 2011, the
United Nations Educational, Scientific and Cultural Organization (UNESCO) has officially
designated April 30 as International Jazz Day in order to
highlight jazz and its diplomatic role of uniting people in all corners of the
globe. The further caps a month of celebrations marking Jazz Appreciation
Month.
Here in Jamaica, while
the genre may have gone south in terms of mass appreciation from a few
generations ago (when clubs like the Glass Bucket and Silver Slipper and bands
like the Skatalites ruled the roost), there remains a nub of hardcore
jazzophiles, many of whom will be heading to the Zinc Shack on the famed Hip
Strip in second city Montego Bay, for the Jmaaican version of International
Jazz Day.
This will take the form
of a dance party/selector session presented by Gordon Wedderburn through his GW
Jazz outfit. Wedderburn, who has hosted Jazz radio in the UK and also worked in
the hospitality industry locally is committed to keeping Jamaica "in
swing" with the rest of the world's jazz aficionados.
"Its our small way
of recognizing the huge contributions of jazz to popular music and even of
Jamaican musicians to jazz and music as a whole," he said in articulating
the motive behind the event. "There'll be music for dancing and music for
listening and just an overall atmosphere of good vibes."
Wedderburn, with support
from musicophile and writer Michael Edwards previously staged a birthday
tribute to the late Afrobeat pioneer Fela Kuti in October 2013, and plans are
afoot to renew that event this year. Overall, the aim is to grow both events so
as to be able to welcome live musical participation as the support base - and
corporate interest - grows.
Internationally, Jazz Day
2014 celebrations will be centred in Osaka, Japan and will feature a wide array
of live and synchronized acts, including giants Herbie Hancock and Wayne
Shorter.
Labels:
Herbie Hancock,
Jamaica,
jazz,
UNESCO
Tuesday, September 3, 2013
NPR Music's Matt Fleeger used the Monty-Ernie collabo, "Rocksteady" as a gateway into Jamaican-tinged jazz stylings. http://www.npr.org/blogs/ablogsupreme/2013/08/29/217012274/jazz-with-a-jamaican-accent?utm_medium=Email&utm_campaign=20130901&utm_source=
My own review, done for Jazz Times, can be viewed here
http://jazztimes.com/articles/14838-rocksteady-monty-alexander-ernest-ranglin
My own review, done for Jazz Times, can be viewed here
http://jazztimes.com/articles/14838-rocksteady-monty-alexander-ernest-ranglin
Labels:
artistes,
Ernie Ranglin,
Jamaica,
jazz,
Monty Alexander,
reggae,
ska,
Toots Hibbert
Subscribe to:
Posts (Atom)